“Because that was the most significant issue to me,” she explained.
When Rossum was participating in an actor, she did not want her overall performance to be theatrical. I went to the Musee d’Orsay and looked at Degas’ paintings of ballerinas to learn how to stand like them.” Then I went underneath the opera home and hung out in the lair and there is essentially a lake beneath and it’s darkish and foggy so it’s seriously sort of terrifying down there. I went to the Garnier opera house in Paris and I stood on the roof wherever Christine stands to sing ‘All I Talk to Of You,’ so I created perception reminiscences like that. “I mainly created the character from my creativity.
“I had classical education but I never consider myself an opera singer nevertheless, and this is more a hybrid of pop and classical audio,” she discovered. Linked: Pink Floyd: Was ‘The Phantom of the Opera’ Stolen From Them?
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